A poem in five books, of circular narrative design, titled with the Greek name for Homer, which simultaneously charts two currents of history: the visible history charted in events -- the tribal losses of the American Indian, the tragedy of African enslavement -- and the interior, unwritten epic fashioned from the suffering of the individual in exile.
A haunting debut that is simultaneously dreamlike and visceral, vulnerable and redemptive, and risks the painful rewards of emotional honesty. "Ocean Vuong's first full-length collection aims straight for the perennial "big"--And very human--subjects of romance, family, memory, grief, war, and melancholia. None of these he allows to overwhelm his spirit or his poems, which demonstrate, through breath and cadence and unrepentant enthrallment, that a gentle palm on a chest can calm the fiercest hungers."--Publisher's description.
"The Hungry Woman, grounded in the Medea legend and Mesoamerican mythology, reinvents the story of Aztlan in the "near future," visualizing a world in which the Chicano/a nation has won a living space but betrayed the principle of equality of the fighters for the revolution. Passionate, earthy, and tragic, full of heroism and villainy, the play calls on a new audience to deal with an imagined political reality."
"The Hungry Woman, grounded in the Medea legend and Mesoamerican mythology, reinvents the story of Aztlan in the "near future," visualizing a world in which the Chicano/a nation has won a living space but betrayed the principle of equality of the fighters for the revolution. Passionate, earthy, and tragic, full of heroism and villainy, the play calls on a new audience to deal with an imagined political reality."
Antígona González is the story of the search for a body, a specific body, one of the thousands of bodies lost in the war against drug trafficking that began more than a decade ago in Mexico. A woman, Antígona González, attempts to narrate the disappearance of Tadeo, her elder brother. She searches for her brother among the dead. San Fernando, Tamaulipas, appears to be the end of her search.
But Sara Uribe’s book is also a palimpsest that rewrites and cowrites the juxtapositions and interweavings of all the other Antigones. From the foundational Antigone of Sophocles passing through Griselda Gambaro’s Antígona furiosa, Leopoldo Marechal’s Antígona Vélez, María Zambrano’s La tumba de Antígona all the way to Antigone’s Claim by Judith Butler. And this book’s writing machine includes testimonies from family members of the victims and fragments and fragments from news stories that provide accounts of all these absences, all the bodies that we are missing.
A play in verse about a white woman who has a black child by a slave in pre-Civil War South Carolina. The author is a Pulitzer Prize winner and is the present U.S. poet laureate. This verse play, based on the story of Oedipus & placed within the context of slavery, is set on a plantation in antebellum South Carolina.
A play in verse about a white woman who has a black child by a slave in pre-Civil War South Carolina. The author is a Pulitzer Prize winner and is the present U.S. poet laureate. This verse play, based on the story of Oedipus & placed within the context of slavery, is set on a plantation in antebellum South Carolina.
